Me, Popcorn and The Oscars: Mel Gibson’s “Hacksaw Ridge” Is Everything You Look For In A Comeback

Hacksaw Ridge is not your typical action film. It is red, it is real, it is revoltingly hypnotizing. This will not be, I hope, a film that will be either ignored or soon forgotten.

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*Obvious Spoilers Ahead*

And I will say an extra warning. Honestly, if you are not older than 18, or if you don’t usually like violent movies, DO NOT WATCH THIS MOVIE! It is tough, violent and gut-wrenching.

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    The good things (what I liked)

  • Wow, well this was a surprise. I generally don’t like Mel Gibson, and with a cast of actors who are generally far from great (protagonist Andrew Garfield, Teresa Palmer, Hugo Weaving and Sam Worthington stand out in my mind), I didn’t expect much from this biopic. But I can honestly say that, from what I’ve seen, this is this year’s best picture, with “Arrival” as a close second (of the frontrunners, I’ve seen “Moonlight”, “Arrival”, and “Manchester by the Sea”, but I have still to see the year’s most talked about film “La La Land”, or other strong contenders such as “Fences”, “Loving” or “Hell or High Water”).
  • Andrew Garfield gives one of his best performances yet, and one of the best performances of the year. He portrays Desmond Doss, a war hero who refused to even touch a gun. This is a story based on true events, which only makes his story more impressive. Even if you’re not religious, it’s hard not to feel empathy for this guy, and Garfield goes above and beyond with this part. It’s hard to know if he’ll win because he’s going against Ryan Gosling and Casey Affleck, both of them in movies that are getting more Oscar buzz than “Hacksaw Ridge”.

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  • There are so many great scenes in the movie. I think there are more great scenes than okay scenes, which is a good thing, especially in this year, where movies haven’t necessarily been great. “Moonlight” and “Nocturnal Animals” needed more screen time, and “Manchester by the Sea” needed less; however, “Hacksaw Ridge” does everything it needed to do, tells everything it needed to tell… everything falls into place, everything is cohesive, everything is controlled.
  • Both Teresa Palmer and Hugo Weaving give memorable supporting performances. The first portrays a devoted (and beautiful) girlfriend/wife who struggles from afar to be okay with what is happening, and the second is an abusive father, a drunk and a veteran, who somehow manages to redeem himself. They probably won’t get nominated, because both categories are crowded and have fan-favorite contenders like Mahershala Ali, Dev Patel, Naomie Harris, Viola Davis, Michelle Williams; and neither performance has the ugly-cry, screaming-at-the-top-of-your-longs  scene that the Oscar loved from supporting roles like this year’s Michelle Williams’ final scene in “Manchester by the Sea”, or Anne Hathaway’s “Les Misérables” big scene, or like Max von Sydow in “Extremely Loud & Incredibly Close”. The Oscars like that big scene, especially from Supporting Actors, and neither of this characters have that (although, I would argue that the dinner scene when Weaving’s character asks his son to get out of his sight is quite excellent).

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  • I loved that this movie doesn’t glamorize war, but actually showcases the real horrors of this savage, human tradition. And I believe that is what it does best, making the audience cringe and suffer, almost as if one were there. The first fight scene (that is probably between 20 to 30 minutes long) is one of the movie’s best. It’s hard to watch, and I understand why they asked me my ID when I bought the ticket.
  • Something is definitely up with this year’s movies. I usually prefer the independent, soulful or more emotional movies to the typical, mainstream Oscar-loved movies (I preferred “Carol” and “The Danish Girl” to both “The Revenant” or “Spotlight”; I preferred “American Hustle” and “Her” to “12 Years of Slave”; I preferred “The Master” and “Zero Dark Thirty” to “Argo”), but this year, I think I prefer this movie to “Moonlight” or “Manchester by the Sea”. Maybe it’s just me.

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    The bad things (what I didn’t like)

  • I didn’t like the last scene. I would’ve liked Desmond to meet with his family again, and his wife. I felt both Dorothy and his father’s characters were left a bit on the air.
  • Again, as with most war movies, for example: “American Sniper”, it makes America look good. This movie doesn’t do that as much because it focuses more on Desmond and his incredible amount of integrity and bravery and faith, but it still does it once in a while. However, Desmond is someone admirable, contrary to Chris Kyle, so again, I don’t feel they did this as much as they usually do it. But it does make America look like a hero, in a way.

    Who would I (or wouldn’t I) recommend it to

Do not watch this movie if you don’t like gory and/or devastating films. This is probably one of the most violent mainstream movies I’ve ever seen, it makes “Saving Private Ryan” a chick flick.

    Best scene or dialogue (if there was any that stood out)

  • As I said, this movie is filled with great scenes. Off the top of my head, the first battle scene, the fight when they were kids and the moment when Desmond’s frenemy tells him he’s scared. However, my two favorite scenes were before Desmond was even at war.

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  • The first is when his brother enlists, and his father tells him how he should take care of his suit when he dies, and then asks him to go away. This scene was excellent. Not too theatric, but it didn’t simplify the horror of war either: the dialogues were exceptional and the acting was on point (especially on Weaving’s part).
  • My second favorite scene was the awkward marriage proposal, just because I enjoyed how this tells the viewer so much regarding historic context. Something like that would be ludicrous nowadays, and yet back then it did happen. The scene was real and believable. From the way it was written, the way Garfield portrayed Desmond so awkwardly and silent and joyous all at once, the way Palmer portrayed both love and hate instantly…. Everything fits.

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    Who stole the show?

Andrew Garfield was exceptional. I doubt he’ll get an Oscar, being this his first Oscar worthy movie (well, this and “Silence”), and his first probable nomination. However, the category isn’t that outstanding this year so I wouldn’t be surprised if he pulled off an Eddie Redmayne and won it on his first try. In addition, everyone here was great, and both Palmer and Weaving are scene stealers (especially Palmer, for she takes both Desmond’s and our attention since the first scene she’s in).

    Do I predict this movie will have any actual nominations?

Yes, I do. The Oscars loves drama-action movies with a strict American point of view (American Sniper, Argo, etc). They don’t feel like The Oscars without a war or terrorist movie among the contenders. Will it win any? I’m not sure. God, I hope it does, though.

    Overall thoughts

Hacksaw Ridge is not your typical action film. It is red, it is real, it is revoltingly hypnotizing. This will not be, I hope, a film that will be either ignored or soon forgotten.

    How many stars?

4.5/5